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Every one they met as they rode along turned around and stared at Johnny. It was very embarrassing, really, to be the heir of Kingthorpe. John kept on eating and talking. “Nils is a bad boy, Mother. When he talks to his mother, he keeps the side of his face toward her perfectly sober; but he makes faces with the side toward us. It is awfully funny and we laugh; and Mrs. Lind thinks we are laughing at her, and then she scolds, and oh! her scolding is so funny!” So the two boys spent their Sunday apart. The canoe had belonged to one of the engineers who had left for another project, and the storekeeper who had bought it was willing to rent it out. Bob decided to go down stream the first day and take a look at the land which would be irrigated by the water stored up by the dam when it was finished. He took his lunch with him as he expected to make an all day trip of it..
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HOW impossible Father was to understand! Why couldn’t he decide about the little horse that Carlstrom had said “the young gentleman” might ride? Johnny Blossom had been out to the Kingthorpe stables a number of times to see the horse. My, oh, my! but it was a beauty! It was small and trim, dun-colored, with black mane; and oh, how swiftly and gracefully it could run on those slender legs! No, Father could have no idea how remarkable it was that Carlstrom had offered to let him ride—and such a horse as that! Bob heard a crunching noise behind him and turned his head to find that Ted Hoyt too had been unable to stand the strain of waiting uncertain as to what was happening to his friends. “See that thundering big one away over there? I’m going to get her,” said Eric, pointing to a venerable looking crab that had been lying for a long time squeezed in between two rocks. The boys dangled the string with the stone on it temptingly near the big crab. Crabs usually get excited over a stone swinging above them that way. They reach up for it, grip it tightly, and—a jerk and up they come! But this crab had seen too many such stones in its long life, and lay stock still without moving a claw. Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart..
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